#Aphex twin discography blogspot full#
He’d been making electronic music since he was a young teen, but for years, his output went no further than the cassettes full of demos-not even demos, really, since he had no intention of actually releasing any of it-that he dubbed for friends, who drove around Cornwall unwittingly blasting future classics from their Ford Fiestas.įinally, though, one of those friends connected James with an Exeter record shop called Mighty Force, which inaugurated its in-house label with James’ debut 12"-Aphex Twin’s Analogue Bubblebath EP-in 1991. Local production went into overdrive, and few native sons or daughters (it was mostly sons) were more determined than James to put their shoulders to the wheel. Within a few short months, trend-happy (and MDMA-happy) England was consumed with the fever for all things house and techno, but it soon became clear that America simply wasn’t producing enough of the stuff to keep up with British ravers’ ravenous appetites. Their horizons instantly broadened, they connived to bring the stuff back home, and wham: a canary-yellow smiley face landed upon fair Albion like a pallet of rations air-dropped by a benevolent conqueror. The sound was born in Chicago and Detroit in the mid-1980s and imported to the UK in 1987 when a handful of London DJs stumbled upon acid, the musical style-along with ecstasy, the chemical compound-while on holiday in Ibiza. James emerged in 1991, at 20 years old, just as UK producers were scrambling to keep up with the newfound domestic demand for electronic dance music. No matter how tall the tales grew around this Cornish Paul Bunyan, none of them ever came close to eclipsing the music itself. It’s no wonder an ornery young artist, a prodigy, really, might tell a gullible journalist that, by his 20th birthday, he’d completed 1000 songs, enough to fill 100 albums. I don’t think James ever made anything up maliciously I think he just liked to talk, to amuse himself, to keep himself from getting bored in the endless parade of interviews a rising star gets subjected to. James thrived on ambiguity, possessing a gaslighting nature, David Toop wrote in his 1996 book Ocean of Sound, that “indicates either a serious person who has never been taken seriously or a practical joker who has been taken seriously for way too long.” Try as you might, you couldn’t quite separate fact from fantasy, or figure out where the truth ended and the fib began. Some people swore he’d cried in interviews, talking about his perished namesake sibling others were sure it was part of the long con. Did he really drive a decommissioned tank? And as for the bit about being named after his dead brother, you kind of didn’t even want to know. He is said to have gotten the jackhammering sounds for “ Quoth” from a day job digging tunnels. James claimed to sleep just two hours a night claimed, too, that he could control his dreams, even wrote much of his music in his sleep.
#Aphex twin discography blogspot plus#
He collected aliases like another young man might sneakers, trotting each one out when the occasion called for it, never letting any of them get too worn: Polygon Window, Caustic Window, Power-Pill, the Dice Man, GAK, Blue Calx, Q-Chastic, AFX, plus his clear favorite, Aphex Twin. He’d been at college for an engineering degree, one he never finished, and was known to pick at the innards of his analog synths. James was from Cornwall, yes-a geographical outsider in the context of early-1990s UK rave, a kind of coastal cowpoke.
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